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<title>Teo Vincent 4: Composer - Arranger, Keeping Cultures Alive!</title>

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Schubert, Liszt, Chopin, Classical, Piano, education, book, lesson, world, latin, jazz'><br>

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Keeping cultures alive and vibrant. Experienced composer, educator and media developer. Innovative 

technologies and amazing interface innovations.'>

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</td><td><center><p><a class="hintmenu" title="Dedicated

 to keeping cultures alive so that they aren't lost forever, Vincent has

 composed many hundreds of songs over many decades in many great styles 

of music. 


Lately Vincent is re-arranging amazingly 

beautiful and often very complex classical and classic folk songs for 

new instrumentation and sound qualities. 


Additionally he is scoring the hundreds of 

original songs he has already written with excellent helpful music 

learning tips and techniques." 

href=""><b>Teo Vincent IV bio</b> (point here)</center></a>

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src=../process/FreeboardCoverBright.jpg height=160 width=200></a><br>

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Vincent's Samples Gallery is effortlessly sorted by clicking any heading. Then simply select songs  &amp; files with check boxes 

<input type="checkbox" name="sample" checked="checked" /> 

and at the bottom of this page Vincent's programming creates a custom playlist for you!<br></font>

</center>

</td><td><center><font size=+1>Musical jokes by David Barber:<i><hr></center>

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r_text[0] = "<b>Coloratura Soprano:</b> A soprano with hiccups. -David Barber";

r_text[1] = "<b>Composer:</b> The individual, preferably now dead (the longer \

the better, up to a point), who was responsible for writing the music. All of the \

composer's wishes regarding notes, tempo, expression and so are carefully \

taken down in the score, and then ignored. -David Barber";

r_text[2] = "<b>Concerto:</b> A sort of musical boxing match between one musician \

(the soloist) and all the rest (the orchestra), with the conductor acting \

as referee, in which nobody wins -- especially the audience. - -David Barber";

r_text[3] = "<b>Reeds:</b> A family of instruments that includes the clarinet, oboe, \

bassoon and kazoo. The name derives from the material that vibrates to produce the sound. \

Many of the reeds would be better off left in the swamp. -David Barber";

r_text[4] = "<b>Recitative:</b> Gossip set to music. A device in opera and oratorio \

for getting large chunks of narration over with quickly. Unfortunately, this leaves \

more time to be spent on long-winded arias. -David Barber";

r_text[5] = "<b>Refrain:</b> 1. That part of a song that keeps being repeated, ad nauseam. \

2. What most performers should do. -David Barber";

r_text[6] = "<b>Podium:</b> A raised platform given to conductors to make them feel more \

important than they really are. From the podium, the conductor can look over the orchestra \

and overlook its mistakes. -David Barber";

r_text[7] = "<b>Drums:</b>A percussion instrument originally played on the battlefield \

to inspire the troops and frighten the enemy. Even in modern times drums retain their \

military connotations, being chiefly played by teenagers who wish to frighten their \

parents or by those wanting to do battle with the neighbors. -David Barber";

r_text[8] = "<b>Round:</b> 1. A short, simple, repetative piece of music similar \

to a cannon, but less likely to misfire. 2. The shape eventually achieved by many \

musicians, especially opera singers. -David Barber";

r_text[9] = "<b>Rubato:</b> The term used to describe the erratic behavior of a performer \

in the throes of anguish brought on by the mating season. Especially prevalent in tenors. -David Barber";

r_text[10] = "<b>Piano:</b> A cumbersome piece of furnature found in many homes, where \

playing it ensures the early departure of unwanted guessts.  -David Barber";

r_text[11] = "<b>Opera:</b> A performance involving singers with orchestra (complete with unrealistic \

scenery and silly costumes), which tells a story so complex that nobody in the audience understands \

what's going on, although all speak about it as if they did. Consists mainly of fat people \

bellowing in a foreign lanugage. -David Barber";

r_text[12] = "<b>Orchestra:</b> The result of musicians' having discovered that there's \

safety in numbers. So much so that the orchestra often outnumbers its audience. Can be \

distinguished from a mob only by the fact that a mob chooses weapons such as placards and \

stones, while an orchestra chooses weapons such as violins and trumpets. \

Also, mobs rarely wear black. -David Barber";

r_text[13] = "<b>Music Stand:</b> An intricate device for propping up music, except at crucial \

times -- such as during the performance. It has a tendency to fall over, often of its own \

accord. It comes in two sizes -- too high or too low -- and is always broken. -David Barber";

r_text[14] = "<b>Harpsichord:</b> A type of keyboard instrument, a precursor of the piano, and \

cursed at ever since. Sir Thomas Beecham described its sound as that of 'two skeletons copulating \

on a corrugated tin roof.' -David Barber";

r_text[15] = "<b>Glissando:</b> The musical equivalent of stepping on a banana peel. -David Barber";

r_text[16] = "<b>Expression:</b> 1. An indication in the score conveying information about tempo, \

dynamics, articulation or other means of shaping a musical phrase. 2. The pained look on the \

conductor's face when the performers ignore such indications. -David Barber";

r_text[17] = "<b>Aria:</b> What you get when you multiply a singer's length by his or \

her width. -David Barber";

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</i></font><font size=1><p><center>

Purchase and enter your access code for all of the music files <a href=http://www.givnology.ca/registration.php>here</a>.</center></font></td></tr></table><br>


<br><br><a target=_new href=http://soundcloud.com/teovincent>http://soundcloud.com/teovincent</a> Playing!<br><a target=_new href=http://givnology.ca>http://givnology.ca</a> Music Books & E-learning<br>

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