ࡱ> 6>  !"#$%&'()*+,-./01234589:;<=R F7 WorkbookfSummaryInformation(DocumentSummaryInformation8 N\pJoe Mama Ba==D,)8X@"1Geneva1Geneva1Geneva1Geneva1Geneva1 Geneva1$Geneva1Geneva"$"#,##0_);\("$"#,##0\)!"$"#,##0_);[Red]\("$"#,##0\)""$"#,##0.00_);\("$"#,##0.00\)'""$"#,##0.00_);[Red]\("$"#,##0.00\)7*2_("$"* #,##0_);_("$"* \(#,##0\);_("$"* "-"_);_(@_).))_(* #,##0_);_(* \(#,##0\);_(* "-"_);_(@_)?,:_("$"* #,##0.00_);_("$"* \(#,##0.00\);_("$"* "-"??_);_(@_)6+1_(* #,##0.00_);_(* \(#,##0.00\);_(* "-"??_);_(@_) #,##0.00"K" #,##0"K" 0.000000 000000 \20000000                ( &       h@ @ A  `@ @ A Q `@ @ A  h@ @ A  h@ @ , !x@ @ ,  l@ @ ,  l@ @ ,  h@ @ , !x@ @ ,  `@ @ ,  d@ @ ,  d@ @ , !p@ @ ,  Zx@ @ , Q!x@ @ ,  h@ @ A  l@ @ ,  `@ @ A !x@ @ , Q!p@ @ ,  @ @  (@ @  (@ @ #|@ @ , #|@ @ , #t@ @ ,  #|@ @ , Followed Hyperlink Hyperlink8dq:F3ffff̙3f3fff3f3f33333f33333\`f' jambase.xl4! jamology.xlm jamlistr.xlmYZ @  ;6on:  =  ;rec:iaTPerhaps most brilliant in this volume, combines broken chords, cadenza-like scale passages, and
clusters of massive chords in punctuated, dotted rhythm and may be considered a virtuoso toccata,
or even a miniature fantasia.Nocturne No. 3 in Ab, Poco Allegro, con affetto<br><I>dolce cantando, sempre Pedale, & piu animato, <br>con passione & piu smorz. e rit.</I>ChopinMazurka01.midTeo Barry Vincent IV MidiClassicalAir Sarabande ConsolationE minor PreludeMazurka in C Major CantabileMazurka in G minorWaltz In A minorNocturne in Bb minor Colsolation 1Liebestraum (Dream of Love) Let-It-Bes (Liebestraum section)Consolation Impromptu German DanceTaniec Prelude#1 Invention#4 Prelude#21Op2 No1 Prestissimo Gymnopedie Bossa-MazurkaAlbum Leaf -startLe Petit NegreThe Little NegroPremiere ArabesqueFirst ArabesqueSix Variations on a ThemeFrom Me And YouThe See (a Buddhist concept)Sort of funky!TeoDebussy-TheLittleNegro.midQFirst half of song, improv on Eb-E section,
outtro is 3 octaves of 'the top.'TeoDebussy-FirstArabesque.midTeoBeethoven-FurElise.mid Fur EliseTeoChopin-EminorPrelude.midTeoTchaikovsky-SgrPlmFry-v.midTeoTeo-FromMeAndYou.mid'Written the day before my son was born!TeoTeo-TheSee.mid]Yemaya (Nigerian Yoruba Orisha-diety) song redone with
Liszt Liebestraum melody techniquesChoPianoSolo.mid ChoPiano Solo&Solo/Impromptu of the Eb Major PreludeFSomewhat agitated MM about 76'
Usually very 'Rubato' (robbing time)Traumerei, Op. 68, No. 25ChopinChops.mid:To: Prince Carl von Lichnowsky. The Adagio cantabile 60bpmTeoHandel-Sarabande-p.midLento M.M 69-74BPMTeoHandel-Sarabande-h.midTeoSchubert-GermanDanceh.midTeoSchubert-GermanDancec.midTeoSchubert-Waltz-p.midWaltzTeoSorokin-Taniec-vibes.midTeoSorokin-Taniec.midTeoDiabelli-Sonatina.midSonatinaAnton Diabelli (1781-1858)Opus 151, #3 (first movement))Transformed Chopin Mazurka into BossanovaFileTeoHandel-Air.midTeoMendelssohn-Consolation.midChopanCantabile00.midTeoChopinGminorMazurka.midBachPrelude1.midBachPrelude01.midBachInvention4.midBachInvention04.midBachPrelude21.midTeoBeethoven-FantasiAllegro.midBeethovenPrestoAgitatoEspre.mid MoonySolo.midGiveMeABeet.midTeo-BeethovenOp2No1Prest.midLisztColsolation1.midLisztLetItBes.mid ConSolo01.mid$Later became 'Ave Maria' by SchubertmidNameTeoProkofiew-ChodziKsiezyc.midChodzi Ksiezyc Nad LakamiSergiusz Prokofiew (1891-1953)|Opus 65 nr 12. 34 bars (of 82), Andantino, molto dolce
from book: MUZYCZNE, CZYTANKI, na fortepian zeszyt 3 / E. Altberg/Bfrom book: MUZYCZNE, CZYTANKI, na fortepian zeszyt 3 / E. Altberg/3Wlodzimierz Konstantynovicz Sorokin (ur. w r. 1914)CImprov Ab-A section of 'Sonata Quasi Fantasia' Clair de Lune outtro!Johann Sebastian Bach (1685-1750)/First try improvising on 1-5 waltz type patternDance of the Sugar Plum FairyTeoTchaikovsky-SgrPlmFry-p.mid&Peter Ilyich Tschaikowsky, (1840-1893)TeoTchaikovsky-SgrPlmFry-e.midTeoMozart-SixVariations.mid!Wonderfully diverse 'variations!'.Through to the nice open Eb7+11 runs faded out/Oakland Modern Art Museum used this as a jingleTeoMozart-Menuet1.midGGalant style of Leopold Mozart.
Baroque form - added ornamentation.Menuet 2 from Sonata in C Menuet 1 from Sonata in C TeoMozart-Menuet2.midTDifficult section of his Consolation #3,
later I loved it so much I solo over it!TeoDebussy-PremiereArabesqu.midDFirst try improvising 'jazz chords' (circle of fifths) on waltz form,Rhythmic improv experiments C# melodic minorHalf of the songComposerXSatieGymnopedie.mid Volzar1.midWhatYouSync.midBossaMazurka-inprocess.midDebussyAlbumLeaf-start.midGymnoTest0.midGymnopedie SketchesEric Satie + TeoSketches and experimentsTeoBeethoven-Pathetique.midSonate Pathetique, Opus 13*Opus 9 number 1 (1830-31)
'poco rall.' WhatYou SyncClaude DeBussy (1862-1918)#Wolfgang Amadeus Mozart (1756-1791)9Beethoven Sonatas for the Piano-Shirmer. To Joseph Haydn.TeoDebussy-LePetitNegre.mid Ludwig van Beethoven (1770-1827) Eric SatieVolzarChopinNocturneinBbminorclip.midTeoChopin-WaltzInAMinor.mid(He goes from Gypsy to Festive magically!ChopinBe-newagepad.mid Chopin Be#Middle section of a B minor mazurkaChopinBe-piano.midComposed 1891, Alexandre Duma's adaption of E. T. A. Hoffman's tale
The Nutcracker and the Mouse King. Orchestrated 1892.A gift for EliseTeoBeethoven-FurElise-h.mid)Beautiful circle of fifths in the middle!TeoChopin-PreludeinA.midPrelude in A MajorTeoCapua-OSoleMio.mid E. di CapuaTraditional Italian song O Sole MioTeoSchuman-Traumerei.midRobert. Schumann (1810-1856)KOpus 28, #4. Largo. espressivo, stretto, smorz
' son ami J.C. Kessler'TeoChopin-EminorPrelude-EP.midTeoCapua-OSoleMio-Acordion.midTeoSchubert-Waltz-c.midTeoSchubert-Waltz-h.midTeoSchubert-GermanDancep.midFranz Schubert (1797-1828)Lovely section from LiebestraumFormatSecondsSizeNotes MidiImpromptu MidiComplete MidiBeethoven MidiChopin MidiNonPiano MidiInspired MidiSereneFantasiAllegroPresto Agitato Espress>A fast section of Moonlight Sonata (Sonata Quasi una Fantasia)1List's Consolation # 1 is in E Major also.. hum..Date MoonySolo GiveMeABeetGeorge Handel (1685-1759)Felix Mendelssohn (1809-1847)"George Frideric Handel (1685-1759)TeoHandel-Air-p.mid"Lento cantabile (M.M. about 58bmp)DUne fleur entre deux abimes' a flower betwist two abysses - F. LisztLots of 'back beat!'Frydryk Chopin (1810-1849)TeoLiszt-Liebestraum.midFranz Farenc Liszt (1811-1886)TeoLiszt-Liebestraum-NewAge.mid >X m>=  5 38M bw 3   jSh l* .EZ xr <Q EZ.>Sh>=_t  Z o'!< >"S>0 0 pH $ #> 0 G$ t # ` x> >=?R>(D( " 0 a ` x>& #>=J>=J| $ # #  $p $x 0>=P>=N $p % $ $ 'Recorderlesrea ` x>&`>=O>=N % %X % %X>0 > 0 ' % '%> x 0 '>=I % % $ %X ' ` % %8 ' ' Ô d l % ' G">=`>=` % &h % % ' % $>4P & ' ` 0>>=I & % % 0  & 0 & ' & 0 ' p |  8 ' & p G G  ' a `  ' ' '  ) p $ H>=`"{4 ` &BD; '686,h@ ' "C4 N C(4?SU  dMbP?_*+%&F Page &PMz(HHR[ (hh  2\K'd5Fj "<??U } }  $} !} "}  0} #}  m} } m} }  !Column KColumn AColumn DCL@0C p    0A x XE0X0܂\ 6 x %L 0 'T W C   /  s  % % % % % % % % t  &D V(N@0=@@    ~ ?~ ?~ ?  & V(N@0=@@    ~ ?~ ?  &5 V(U@0@=@ @    6~ ?~ ?  &7 V(U@0@=@ @    6~ ?~ ?~ ? a &b V(c@0`D@(@  c  ~ ?~ ?~ ? a &d V(c@0`D@(@  c  ~ ???~ ? a &) V(c@0`D@(@  c  ~ ???~ ?   &E !V"^@0=@# @     ~ ?~ ?~ ? & !V "@c@0`=@# @   ~ ?~ ?~ ? & !V "@c@0`=@#@   ~ ? ??~ ? / &. !V "P@0`D@#@   0~ ?~ ? ??  &( !V "`@0=@# @  ~ ?~ ?~ ?~ ?  & !V "`@0=@#0@  ~ ? ???~ ?  & !V"N@0@#@  ~ ?~ ?~ ?~ ?  &F !V"G@0@#@  ~ ?~ ?~ ?~ ?  &G !V"Y@0 =@#@    ~ ?~ ?~ ?  & !V"K@0=@#@    ~ ????  & !V"K@0=@#@    $?????  & !V"`@0=@# @    ~ ?~ ?~ ?  & !V"E@0`=@#@    ~ ????  &3 !V"E@0`=@#@    $?????  & !V"A@0`=@#@    ~ ?~ ?~ ?~ ? ! +R !V!O@1@!(@,,,,  ,  ,  ,-,~ ,?,,,,,,~ ,?, ! + !V!s@1C@!0@,,,,  ,  ,  ,-,~ ,?,,,,~ ,?,~ ,?, ! & !V!s@1C@!0@,,,,  ,  ,  ,-,~ ,? ,,,,?,?,~ ,?, ! +S !V!7@1@!@,,,,  ,  . ,,,,,,,,?,?,?,?, ! *T !V!E@1 @!@,,,,  ,  .n ,,,,~ ,?,,,,,?,?,   & !V"H@0`=@#@  ~ ?~ ?   &9 !V"H@0`=@#@  ~ ?~ ?~ ?   &8 !V"H@0`=@#@  ~ ?~ ?~ ?  ; &: !V"@@0`=@#@  ~ ?~ ?Dl~~p~~ L!"#$%&'@(0C)p * +0A,x-.XE/00X01܂23\ 4566 78x9: ;%<L= >0 ?'T ; & !V "@@0`=@#@ ~ ?~ ?~ ? ! ; !& !!V!"@@0`=@#@ ! ~ !?~ !?~ !? 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